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Toronto, Ontario, Canada
"To take a photograph is to align the head, the eye and the heart. It's a way of life." ~ Henri Cartier-Bresson
Showing posts with label London. Show all posts
Showing posts with label London. Show all posts

Sunday, October 30, 2011

Photographer Profile ~ Bill Brandt

Bill Brandt (1904 – 1983) was an influential British photographer and photojournalist known for his high-contrast images of British society and his distorted nudes and landscapes.

Born in Hamburg, Germany, son of a British father and German mother, Brandt grew up during World War I. Shortly after the war, he contracted tuberculosis and spent much of his youth in a sanatorium in Davos, Switzerland. Having developed a talent for photography, Brandt moved to Paris. When Ezra Pound visited a mutual friend, Eugenie Schwarzwald, Brandt made his portrait. In appreciation, Pound introduced Brandt to Man Ray, in whose studio, Brandt would assist.

In 1931 Brandt moved to London and began documenting British society, particularly the aristocracy. This kind of reporting was uncommon at that time. Brandt published two books showcasing this work, The English at Home (1936) and A Night in London (1938). At the height of the Surrealism movement, Brandt's work shows the influence of Man Ray and others. He was a regular contributor to magazines such as Harper's Bazaar, Lilliput, Picture Post, and The Bystander.

After World War 2, Brandt focused on portraits, landscapes and nudes, compiling his works into two books, Literary Britain (1951), and a collection of nude images, Perspective of Nudes (1961). Brandt's photos made him Britain's most influential photographer of the 20th century. Many of his works have important social commentary. His landscapes and nudes are dynamic, intense and powerful, often using wide-angle lenses and distortion.















Painter Francis Bacon

Portrait of painter Magritte with his painting
















Tuesday, July 26, 2011

Photographer's Rights ~ Stand Your Ground


On Tuesday 21 June 2011 six photographers were assigned different areas of London to photograph. Some used tripods, some went hand held, one set up a large format 4 x 5.

All were instructed to keep to public land and photograph the area as they would on a normal day. The event aimed to test the policing of public and private space by private security firms and their reaction to photographers.

All six photographers were stopped on at least one occasion. Three encounters led to police action.

This is what happened.