Photographer Profile ~ Louis Faurer

Louis Faurer (1916 –  2001) was an American fashion photographer and a master of candid or street photography. A quiet artist who never achieved the broad public recognition of his best-known contemporaries, the significance and caliber of his work were lauded by insiders, among them Robert Frank, William Eggleston, and Edward Steichen, who included his work in the Museum of Modern Art exhibitions In and Out of Focus (1948) and The Family of Man (1955).

Silent Saleman

Comb Over, NYC, 1949

Looking Up At RCA Building: New York, 1949.

NYC, 1971

El Station, 53rd Street and Third Avenue, 1946.

Staten Island Ferry, 1946.

Skywriting, New York City, 1950.

Ideal Cinema , New York City, 1948.

 
Arc of Mirrors, Philadelphia, 1940

15th and Market Street, Philadelphia, 1938.

Accordionist: NY, 1948.

Father and Son in Times Square: NY, 1948. 

 Penn station, New York City, 1948

Globe Theater, New York City, 1947.

Ritz Carlton, 1948

Madison Avenue Construction Site, 1949.

James Joyce on the IRT, 1968.

Louis Faurer, Paris, 1960

Bowing for the Vogue Collections: Paris, 1972.

Times Square, NY, 1949

NYC 1971

Market Street, Philadelphia, 1944 by Louis Faurer

Genius of Photography ~ BBC Documentary

In the most comprehensive look at the most influential art form in the world, the series explores every aspect of photography - from daguerreotype to digital, portraits to photo-journalism, art to advertising; in the UK, America, China, Japan, Africa and beyond. It includes interviews and encounters with some of the world’s greatest living photographers including William Eggleston, Nan Goldin, William Klein, Martin Parr, Sally Mann, Robert Adams, Juergen Teller, Andreas Gursky, Jeff Wall and many others. But as well as telling the stories behind the world’s greatest photographs and the photographers who took them, the series examines the ‘genius’ of photography itself, this magical, unpredictable and democratic medium that has transformed the way we see ourselves and our world.

The series culminates in an examination of the impact of the digital post-production techniques that make anything possible, and looks at the rediscovery of techniques which are taking photography back to the 19th century.

With contributions from Jeff Wall, Andreas Gursky, Gregory Crewdson and one of China’s leading photographer Wang Qingsong.

Episode One

Watch Genius of Photography - 1 in Entertainment  |  View More Free Videos Online at Veoh.com

episode 2
episode 3
episode 4
episode 5
episode 6

Photographer Profile ~ Alex Prager

Alex Prager (American, born 1979), a self-taught photographer, takes her cues from pulp fiction, the cinematic conventions of movie directors such as Douglas Sirk and Alfred Hitchcock ( and the work of acclaimed photographer William Eggleston.) Resembling movie stills, her unnerving photographs—crisp, boldly colored, shot from unexpected angles, and dramatically lit—feature women disguised in wigs, dramatic makeup, and retro attire. Focusing on the actress’s face to capture one intense emotion, Prager engages in the construction of images that are intentionally loaded, reflecting her fascination with and understanding of cinematic melodrama. [via MoMA]

Alex's work was recently exhibited at MOMA as part of the 'New Photography 2010' exhibition.

*Click on images for larger view

Behind the Shot: "Since my mum had recently come back to live in LA, I used her in lots of the pictures, as well as her friends. I did a lot more setting up than usual – it was as if I was making a movie. I often watch old films for inspiration; if I like a scene, I'll pause it and take pictures of it. I don't remember the name of the movie that inspired this – it was a scene with Marilyn Monroe getting out of a taxi in the rain. I thought it looked beautiful, with her bright blond hair and yellow dress. I didn't want to recreate the image. I just wanted the idea of the rain and the taxi.

I shot this on the streets of LA. As I was using lights and a rain machine, I needed a permit. I'm really not used to doing things that way. I wanted a liquor store with a bit of colour and a quaint, old-fashioned feel. I drove around LA for three or four days looking. LA is so huge I can usually find what I want eventually.

The woman, Irene, was a friend of my mum's. She'd been a model in her 20s and was used to being taken care of. But we didn't have much of a budget: there was no trailer for her, the car was a fake and leaked. We couldn't control the rain machine, so she kept getting soaked; she was miserable and didn't want to get out of the taxi. I wanted her to look behind her like she was looking at something mysterious but the water was pounding down so hard she would only look down, to stay clear of all the leaks. I was trying to direct her with a walkie-talkie and she couldn't hear me. It was nuts.

And then she looked up for one second and that's the shot I got. Her face was perfectly lit. There's a lot of emotion in there – that's because she was unhappy for real." ~  Prager

http://www.alexprager.com/

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Alex Prager was born in Los Angeles in 1979. She was raised by her grand- mother in a small apartment in the suburb of Los Feliz. Her nomadic upbringing saw her splitting her time between Florida, California, and Switzerland without truly settling down long enough for a formal education.

http://www.alexprager.com/

http://www.alexprager.com/


Behind the scenes of Alex's photoshoot for BOTTEGA VENETA

Bottega Veneta SS'11 AOC with Alex Prager from BootLegs on Vimeo.

http://www.alexprager.com/

http://www.alexprager.com/




Accustomed to running a one-woman show on her shoots, where she usually plays photographer, stylist, set-designer and everything in between, Prager was ensnared by the collaborative nature of creating a film. “It’s like taking every art medium and melding it into one,” she says. “It’s incredible!”
http://www.alexprager.com/

Here are some fantastic shorts by Prager that were influenced by film classics.

Eraserhead


The Invisible Man



http://www.alexprager.com/



See more of these shorts here