Anthony Luke's not-just-another-photoblog Blog: Search results for Daguerreotype

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Wednesday, July 20, 2011

Photography Pioneer Profile ~ Louis Daguerre

On January 7, 1839, members of the French Académie des Sciences were shown products of an invention that would forever change the nature of visual representation: photography. The astonishingly precise pictures they saw were the work of Louis-Jacques-Mandé Daguerre (1787–1851), a Romantic painter and printmaker. Each daguerreotype (as Daguerre dubbed his invention) was a one-of-a-kind image on a highly polished, silver-plated sheet of copper. He worked with Joseph Nicéphore Niépce (the inventor of photography) to perfect the medium. Niépce had achieved primitive but real results as early as 1826. By the time Niépce died in 1833, the partners had yet to come up with a practical, reliable process.

Not until 1838 had Daguerre's continued experiments progressed to the point where he felt comfortable showing examples of the new medium to selected artists and scientists in the hope of lining up investors. François Arago, a noted astronomer and member of the French legislature, was among the new art's most enthusiastic admirers. He became Daguerre's champion in both the Académie des Sciences and the Chambre des Députés, securing the inventor a lifetime pension in exchange for the rights to his process. Only on August 19, 1839, was the revolutionary process explained, step by step, before a joint session of the Académie des Sciences and the Académie des Beaux-Arts, with an eager crowd of spectators spilling over into the courtyard outside.

Daguerre's name is one of the 72 names inscribed on the Eiffel tower.

Daguerreotype of Louis Daguerre in 1844 by Jean-Baptiste Sabatier-Blot ~ 1844

The process seemed magical. Each daguerreotype is a remarkably detailed, one-of-a-kind photographic image on a highly polished, silver-plated sheet of copper, sensitized with iodine vapors, exposed in a large box camera, developed in mercury fumes, and stabilized (or fixed) with salt water or "hypo" (sodium thiosulphate). Although Daguerre was required to reveal, demonstrate, and publish detailed instructions for the process, he wisely retained the patent on the equipment necessary to practice the new art.

[via The MET]

One of the very first successful daguerreotypes "Daguerre Atelier" 1837

"Boulevard du Temple", taken by Daguerre in 1838 in Paris, was the first photograph of a person. The image shows a street, but because of the over ten minute exposure time the moving traffic does not appear. The exceptions are the man and shoe-shine boy at the bottom left, and two people sitting at a table nearby who stood still long enough to have their images captured. [wiki]

The first authenticated image of Abraham Lincoln was this daguerreotype of him as U.S.Congressman-elect in 1846, attributed to Nicholas H. Shepard of Springfield, Illinois

Ichiki Shirō's 1857 daguerreotype of Shimazu Nariakira (Japanese feudal lord), the earliest surviving Japanese photograph. Shimazu obtained the first daguerreotype camera ever imported into Japan. Ever fascinated by Western technology, he ordered his retainers (including Ichiki) to study it and produce working photographs. Due to the limitations of the lens used and the lack of formal training, it took many years for a quality photograph to be created, but on 17 September 1857, Ichiki created a portrait of Shimazu in formal attire. After Shimazu's death the photograph went missing but later turned up in a warehouse in 1975

The solar eclipse of July 28, 1851 is the first correctly exposed photograph of a solar eclipse, using the daguerreotype process.

Thursday, June 9, 2011

How To Make a Daguerreotype Photograph

If you're thinking that creating a daguerreotype can't be easy, you're right. Given the hazardous nature of the procedure involved in preparing the medium, it also might get you on some government watch lists. To create a true daguerreotype, you'll need to assemble a long list of difficult to obtain chemicals, supplies and pieces of equipment. For the curious, though, here's an overview:

by Takashi Arai

Step 1. Start with a silver-plated piece of copper and polish it to as close to a mirror finish as possible. Most daguerreotypists use a bench grinder outfitted with a polishing wheel to prepare their plates.

Step 2. The next step is to "sensitize" the plate. Place the plate into a sealed box containing a shallow tub filled with iodine crystals. After a few minutes of exposure to the iodine vapors, your silver plate should take on a purplish hue. Most "dag artists" use specially-constructed coating boxes with a sliding element at the top, allowing them to slide a plate into the vapor-filled box, then slide it out without touching the plate or exposing themselves to the vapors. Iodine vapors are extremely harmful and dangerous to work with, so precautions such as ventilators and respirators are a must.

Step 3. Mount the sensitized plate onto your camera's film holder and seal the camera.

Step 4. Pick a well-lit, stationary subject to capture. Choose something as close to totally stationary as possible, as exposure can take between 1 and 7 minutes depending on the light. Obviously, bright sunlight works best. Instructables.com member duckarrowtypes has created an exposure cheatsheet for daguerreotypes PDF link.

Step 5. In a darkroom, remove your exposed plate and tape a sheet of Amberlith film on top of it. Seal the edges with light-proof tape (both can be purchased at an art supply or photo supply store) and place it in the sun for two hours. This will develop your image, and you should start seeing results within the first 30 minutes or so. This is actually different than Louis Daguerre's original method -- he used mercury vapors to develop the image. This method is much easier, safer and less expensive.

Step 6. Now it's time to wash your plate. Mix up a Hypo clearing agent in a developing tray place the plate into the solution-filled tray. Don't let any bubbles form on the surface of the plate when you're getting it wet, otherwise your image will be ruined. Once the plate is fully submerged, gently stir the solution until your image shows on the plate as clear black and white. Follow with a water bath (using the same care in immersion) to wash away any remaining silver halide particles.

Step 7. At this point, your image is just dust on a silver plate. Touching it, brushing against it, or dropping water directly onto it will ruin it. Quickly preserve it by mounting it behind a piece of glass in a specially-constructed daguerreotype holder. You can buy an antique holder, make your own, or have one constructed by a frame shop.

Tip: Instructables.com has a detailed tutorial on how to create a modern daguerreotype using this method.

Tip: Any modern camera with a manual exposure switch will do for making daguerreotypes. A view camera is best. Using a vintage camera can lend some credibility, but they can be costly. In May 2007, an anonymous buyer paid nearly $800,0000 for an original 1839 camera made by Susse Frères.

Tip: Apprentice with an active daguerreotype maker to learn the secrets of the trade. According to Wikipedia there are fewer than 100 people still working with daguerreotype images. Some, like North Carolina photographer Jonathan Danforth offer two-day instructional courses.

via Wired

Wednesday, July 20, 2011

The First Portrait Photograph ~ by Robert Cornelius 1839

On a sunny day in October 1839, Robert Cornelius set up his camera in the back of his father’s gas lamp-importing business on Chestnut Street in Center City, Philadelphia. After removing the lens cap, he sprinted into the frame, where he sat for more than a minute before covering up the lens. The picture he produced that day was the first photographic portrait. [via Daily News]

Robert Cornelius went on to become a celebrated portait photographer shooting Daguerreotypes (the process that Louis Daguerre invented). Daguerre’s own agent in Britain wrote that Cornelius’ pictures were “the most beautiful specimens of the daguerreotype then in existence.”

Despite his success, Cornelius gave up his photography business after only two years. Gas lighting was becoming the illumination of choice for new buildings, and there was more money to be made in lamps and chandeliers than in image-making. Ahh.... things have not changed much after all these years.

Self Portrait ~ Robert Cornelius Daguerreotype, 1839
Cornelius wrote on the back of this image “The first light Picture ever taken. 1839."

The World's Most Expensive Camera... No It's Not A Leica

Saturday 29 May 2101, WestLicht Photographica Auction auctioned one of the first Daguerreotype cameras ever produced. The wooden sliding-box camera was made in Paris in September 1839 by Alphonse Giroux, a few weeks after the first public announcement of photography.

It was discovered recently after having spent decades in private ownership in northern Germany. 'The outstanding original condition of the 170-year-old apparatus is remarkable,' said the auction house, which believed the device would fetch in excess of its previous record of €576,000.

However, the final bid went beyond WestLicht's expectations. The camera sold for €732,000 ($1,044,096.70 U.S. dollars), making it the most expensive camera in the world. "The duel of bidders in the auction room ended after twenty minutes with a record telephone bid," says the auction house. "With a starting price of €200,000, the wood-built sliding-box camera changed owners for €732,000 and thus became not only the oldest but also the most expensive camera in the world. With that WestLicht has broken its own record of €576,000, which was set in 2007. No less spectacular is the price achieved by the mercury box that goes with the Daguerreotype – the extremely rare accessory was sold for €144,600."

Taking part in the auction were numerous collectors, dealers, and institutions from all over the world, including bidders from Korea, Japan, the USA, and France.

(via British Journal of Photography)

Friday, March 7, 2014

Portraits of Famous Photographers

Since the Mid-15th century and the advent of better and cheaper mirrors artists have modelled for themselves in their own works of art. Whether it is an in-depth exploration of the artist’s own psyche or simply because as a model, the artist is clearly the cheapest and most available. Whatever the reason, nearly every artist, in every medium from painters to photographers have attempted this exploration of self.

The Term selfie has become part of our lexicon and was the Oxford word of the year for 2013. The self portrait has never been so predominant in our culture. But the photographic masters did it first and did it best. Have a look!