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Toronto, Ontario, Canada
"To take a photograph is to align the head, the eye and the heart. It's a way of life." ~ Henri Cartier-Bresson
Showing posts with label Gordon Parks. Show all posts
Showing posts with label Gordon Parks. Show all posts

Tuesday, April 17, 2012

A Great Day in Harlem ~ Portrait of 57 Jazz Greats


*click on image for a larger view*

A Great Day in Harlem – Art Kane, 1958
57 jazz musicians on a street in Harlem

A Great Day in Harlem black and white group portrait of 57 notable jazz musicians photographed on a street in Harlem, New York City. This photo has remained an important object in the study of the history of jazz.

Art Kane, a freelance photographer working for Esquire magazine, took the picture around 10 a.m. on August 12 in the summer of 1958. The musicians had gathered on 126th Street, between Fifth and Madison Avenues in Harlem. Esquire published the photo in its January 1959 issue. Kane calls it "the greatest picture of that era of musicians ever taken."


1995 Academy Award Nominee for Best Documentary A Great  Day in Harlem ~The story behind the iconic image

















A Great Day in Harlem Survivors – Gordon Parks*, 1996

Saturday, June 18, 2011

Photographer Profile ~ Gordon Parks.

Gordon Roger Alexander Buchanan Parks (November 30, 1912 – March 7, 2006) was a groundbreaking American photographer, musician, poet, novelist, journalist, activist and film director. He is best remembered for his photo essays for Life magazine and as the director of the 1971 film Shaft. Parks was the first black photographer for LIFE magazine.

Parks was primarily a photojournalist, nonetheless has a portfolio of images that range broadly in subject matter and serve as distinct markers in American history: from haunting images of gang warfare in Harlem and turbulent Black Panther meetings to the height of haute couture for Vogue and recent colorful landscapes and still lifes that juxtapose color, light and shape. "I have loved all of the various aspects of photography," Parks says. "They've kept me alive and in pursuit of something special."






"In New York growing up, you never saw a black person on the street, you never saw a black person in the store, you never saw them in a restaurant. It just didn’t exist. So when Gordon and I met, it was really without any boundaries. First of all, he was drop-dead good-looking. We just looked into each other’s eyes, and we were friends." ~ Gloria Vanderbilt



 








"Those people who want to use a camera should have something in mind, there's something they want to show, something they want to say...," Parks explains. "I picked up a camera because it was my choice of weapons against what I hated most about the universe: racism, intolerance, poverty.











Scene from Shaft ~ Directed by Parks


"Many times I wondered whether my achievement was worth the loneliness I experienced, but now I realize the price was small." ~ Gordon Parks


A conversation with Gordon Parks


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