Diane Arbus was born, to a wealthy Jewish family, in 1923. Her mother Gertrude was the daughter of the owners of Russek's Fur Store.
Diane (pronounced Dee-Ann ) was a privileged child, raised with her two siblings in large apartments on Central Park West and Park Avenue. Daine said of her childhood "I grew up feeling immune and exempt from circumstance. One of the things I suffered from was that I never felt adversity. I was confirmed in a sense of unreality."
Diane Arbus was one of the most distinctive photographers in the twentieth century, known for her eerie portraits and offbeat subjects. Her artistic talents emerged at a young age; she was created interesting drawings and paintings while in high school. She married Allan Arbus in 1941 who taught her photography.
Working with her husband, Diane Arbus started out in advertising and fashion photography. They became quite a successful team with photographs appearing in such magazines as Vogue. In the late 1950s, she began to focus on her own photography. To further her art, Arbus studied with photographer Lisette Model around this time. She began to pursue taking photographs of people she found during her wanderings around New York City. She visited seedy hotels, public parks, a morgue, and other various locales. These unusual images had a raw quality and several of them found their way in the July 1960 issue of Esquire magazine. These photographs were a spring board for more work for Arbus.
By the mid-1960s, Diane Arbus was a well-established photographer, participating in shows at the Museum of Modern Art in New York among other places. She was known for going to great lengths to get the shots she wanted. She became friends with many other famous photographers, such as Richard Avedon and Walker Evans.
While professionally Arbus continued to thrive in the late 1960s, she had some personal challenges. Her marriage ended in 1969, and she later struggled with depression. She committed suicide in her New York apartment on July 26, 1971. Her work remains a subject of intense interest, and her life was part of the basis of the 2006 film, Fur, starring Nicole Kidman as Arbus.
via biography.com
and here
I always thought of photography as a naughty thing to do - that was one of my favorite things about it, and when I first did it, I felt very perverse.
~ Diane Arbus
Child with a toy hand grenade in Central Park, N.Y.C. 1962
Identical twins, Roselle, New Jersey 1967
Teenage couple on Hudson street New York 1963
Boy with a straw hat waiting to march in a pro-war parade, N.Y.C. 1967
A young man in curlers at home on West 20th Street, N.Y.C. 1966
"Freaks was a thing I photographed a lot. It was one of the first things I photographed and it had a terrific kind of excitement for me. I just used to adore them. I still do adore some of them. I don't quite mean they're my best friends but they made me feel a mixture of shame and awe. There's a quality of legend about freaks. Like a person in a fairy tale who stops you and demands that you answer a riddle. Most people go through life dreading they'll have a traumatic experience. Freaks were born with their trauma. They've already passed their test in life. They're aristocrats." - Diane Arbus
Nicole Kidman plays Diane Arbus in the film Fur
Diane (pronounced Dee-Ann ) was a privileged child, raised with her two siblings in large apartments on Central Park West and Park Avenue. Daine said of her childhood "I grew up feeling immune and exempt from circumstance. One of the things I suffered from was that I never felt adversity. I was confirmed in a sense of unreality."
Diane Arbus was one of the most distinctive photographers in the twentieth century, known for her eerie portraits and offbeat subjects. Her artistic talents emerged at a young age; she was created interesting drawings and paintings while in high school. She married Allan Arbus in 1941 who taught her photography.
Working with her husband, Diane Arbus started out in advertising and fashion photography. They became quite a successful team with photographs appearing in such magazines as Vogue. In the late 1950s, she began to focus on her own photography. To further her art, Arbus studied with photographer Lisette Model around this time. She began to pursue taking photographs of people she found during her wanderings around New York City. She visited seedy hotels, public parks, a morgue, and other various locales. These unusual images had a raw quality and several of them found their way in the July 1960 issue of Esquire magazine. These photographs were a spring board for more work for Arbus.
By the mid-1960s, Diane Arbus was a well-established photographer, participating in shows at the Museum of Modern Art in New York among other places. She was known for going to great lengths to get the shots she wanted. She became friends with many other famous photographers, such as Richard Avedon and Walker Evans.
While professionally Arbus continued to thrive in the late 1960s, she had some personal challenges. Her marriage ended in 1969, and she later struggled with depression. She committed suicide in her New York apartment on July 26, 1971. Her work remains a subject of intense interest, and her life was part of the basis of the 2006 film, Fur, starring Nicole Kidman as Arbus.
via biography.com
and here
I always thought of photography as a naughty thing to do - that was one of my favorite things about it, and when I first did it, I felt very perverse.
~ Diane Arbus
Xmas tree in a living room in Levittown, Long Island 1963
"Freaks was a thing I photographed a lot. It was one of the first things I photographed and it had a terrific kind of excitement for me. I just used to adore them. I still do adore some of them. I don't quite mean they're my best friends but they made me feel a mixture of shame and awe. There's a quality of legend about freaks. Like a person in a fairy tale who stops you and demands that you answer a riddle. Most people go through life dreading they'll have a traumatic experience. Freaks were born with their trauma. They've already passed their test in life. They're aristocrats." - Diane Arbus
