Bullet through Apple, 1964
Although many consider Edgerton's work art, he said, “Don’t make me out to be an artist. I am an engineer. I am after the facts. Only the facts.”
"Cutting the Card," 1964, 1/1,000,000 exposure, .30 caliber bullet
Antique Gun Firing, 1936
Bullet through Jack of Hearts, 1960
Bullet Shock Wave, 1970
Bullet through glass
Death of a Lightbulb, 1936
"Bullet Through Balloons," 1959 .22 caliber bullet.
"Puncturing a Balloon," 1977, 3/10,000,000 exposure, .22 caliber bullet
Bullet "Stopped" by 1/1,000,000 Second Exposure ]
Bullet through rubber bands
Edgerton's notes show a measurement of 166 feet per second during Bobby's swing, which comes out to around 112 mph! Super fast for this era's heavier equipment!
In the lab/studio at MIT with golfer Bobby Jones
Densmore Shute bends the Shaft, 1938. Edgerton was filming many notable PGA pros in this manner during the late 1930's.
Fly Fisherman
Golfer Bobby Jones, 1938
Skipping Rope, 1952

Dancer, 1952
Cat Jumping Over a Piano Bench, 1938
Baton, 1953
Swirls and Eddies: Tennis ~ 1939
Pancho Gonzales, 1949
Football Kick, 1934
Football kick, 1938
Acrobates
Boxer, 1940
Boxer, 1939
Jim Dotson Hits the Softball, 1938
Water Sprinkler, 1939
Water from tap, 1939
Cup of coffee on impact
Egg hits the fan with Edgerton
Dye Drop, 1960
Water Dropping into Water, 1978
Dynamite Cap, 1956
Atomic Bomb Explosion, before 1952
Atomic Bomb Explosion
Atomic Bomb Explosion. Since each camera could record only one exposure on a sheet of film, banks of four to 10 cameras were set up to take sequences of photographs. The average exposure time was three millionths of a second. The cameras were last used at the Test Site in 1962.Test Tube Breaking
Pigeon release, 1965
Spooky the Owl, 1965
Aerial flash photograph,1946, of the Pentagon taken by U.S. Army Air Force using equipment provided by Harold E. Edgerton.
Portrait of Edgerton at MIT
Edgerton with his flash equipment
Portrait of Harold Edgerton with his iconic image
Check out this funny and informative short "Quicker 'n a Wink"
by Harold Edgerton
Winner of the Academy Award for "Best One-Reel Live-Action Short Subject".
Very cool light experiments by Edgerton in this BBC documentary